I am a queer and disabled theatremaker and advocate currently based in so-called Sydney, Australia. 

I hold an MFA in Writing from the National Institute of Dramatic Art (2022) and an Advanced Diploma in Acting from the Academy of Film, Theatre, and Television (2017). Over the years, my practice has led me to collaborate with some of the most respected artists and companies across the continent. I am currently engaged in Accessible Arts’ Next Level Creative Mentorship with Merrigong Theatre Company (2025), and have previously participated in Montague Basement and bAKEHOUSE’s The Laboratory (2025), Accessible Arts’ Front & Centre Program (2023), Darlinghurst Theatre Company’s Next in Line (2021), and Sydney Theatre Company’s Emerging Writers Group (2019–2021). Alongside my creative work, I served as Vice Chair on the board of Theatre Network NSW (2024–2025), worked as an artist facilitator with Midnight Feast (2022–2023), and have consulted for leading cultural institutions including the Sydney Opera House and the Art Gallery of NSW.

Recent credits include: Mary Against the Invisible Machine (KXT on Broadway, 2025), Transcendant Acts (Backbone/Flaming Carnations, 2024), Anomalies (Old Fitz, 2024), GROSS METAL BODY SHIT (NIDA/ANU, 2022), Eat Me (STC/NIDA, 2021), Cat Piss (DTC, 2021), Ex Utero (STC, 2021), and DRRRM Play (NIDA, 2020).

As an artist, I create works that weave existential themes and societal critique into expansive, textured narratives that challenge authority and celebrate the resilience of broken people piecing themselves together. I am known for pushing boundaries and breaking form to move beyond just mere spectacle, and I have a critical focus on disabled dramaturgy; being how a lived experience of disability not only appears in story, but informs process, structure, and rhythm. My lived experience as a queer, disabled person is inseparable from my creative practice, and I’m committed to playing my part in reshaping the cultural landscape by continuing to create work that demands more from both artists and audiences.